Pasaje Revolucion - Macay Museum Sculpture Garden

Between the Macay Museum and the Cathedral of San Ildefonso is a passageway (Pasaje de la Revolución) that the Macay Museum uses as a sculpture garden.  There are other things in the buildings there; an artesania shop, a furniture store, the Macay itself... The pasaje also cuts a bit of distance off a walk from calles 60 to 58.

Well the reason for this post is to show some of the current sculpture exhibition.  I was through the area the orther day and was really taken with these fabulous sculptures















from http://www.latinoamerica-online.info/cult05/arti05.19.molaa_cuevas.html

José Luis Cuevas (b. 1943, Mexico) is one of the most renowned and influential living artists in Mexico. Controversial and nonconformist in character, Cuevas made his views known in The Cactus Curtain (La Cortina del Nopal) published in 1957, in which he fervently opposed Muralism and any other form of institutionalized art that emerged from the Mexican School, arguing instead for greater freedom for Mexican art. His leadership of the Generación de Ruptura (the Rupture Generation), in the late 1950s, marked a split from the Mexican School and the beginning of a new stage in Mexican contemporary art.


José Luis Cuevas works mainly in drawing and engraving. He is a master draftsman. Paper was present in Cuevas’ life from the time he was a child, having grown up on the second floor of a building that housed a paper and pencil factory. Since 1991, he has also worked as a sculptor.

In his artwork, Cuevas represents the most obscure aspects of humans. During his youth, he visited brothels, hospitals and mental institutions throughout the city of Mexico in search of models for his drawings. Cuevas deforms the human figure, creating grotesque characters through disproportion. His expressionist style resembles the satiric portraits of José Clemente Orozco (Mexico, 1883-1949) and the engravings of Francisco de Goya y Lucientes (Spain, 1746-1828). In presenting the desolation of humanity, Cuevas captures the most vulnerable moments of the human being. The universality of Cuevas’ themes is reflected in the anonymity of his characters.

At the age of 21, Cuevas presented his work in an individual exhibition at the Pan American Union in Washington D.C. The success of this exhibit resulted in early international recognition.